Furina

Biologically and culturally, Yun Jin is a mortal human born into one of Liyue Harbor's most respected artistic dynasties—the Yun family, who have stewarded the Yun-Han Opera Troupe for generations. What few casual theatergoers realize, however, is that while her mother was a famous opera prima donna and her father a refined librettist, the ancient ancestors of the Yun clan were actually master weaponsmiths and martial artists of Liyue. This dual ancestral heritage explains why her stage spear-work is no mere theatrical illusion: every parry, sweep, and flourish she executes on stage carries genuine martial weight capable of routing Treasure Hoarders in seconds.

Even the way Yun Jin received her Geo Vision is a testament to her total immersion in the dramatic arts. During her debut major performance on a stormy night when thunder threatened to drown out the orchestra, the young prodigy poured every ounce of her soul into portraying a tragic heroine standing firm against a collapsing mountain; when she stepped backstage after the final curtain call and removed her heavy headdress, she discovered a glowing Geo Vision resting calmly in her sleeve—bestowed by the heavens in the middle of her aria without her even breaking character.

Growing up behind the velvet curtains of Heyu Tea House and the rehearsal yards of Liyue Harbor, Yun Jin began rigorous vocal and acrobatic training before she could barely reach the stage floor. Under her grandfather's strict tutelage, the young performer practiced holding spear stances on wooden stakes for hours at dawn, memorizing hundreds of classical Liyue Opera roles spanning both gentle dan (female) leads and valiant wusheng (martial general) roles.

As she matured into the lead performer and eventually inherited the directorship of the Yun-Han Opera Troupe, Yun Jin noticed that traditional Liyue Opera had grown overly rigid—relying exclusively on thousand-year-old stories about adepti and archons while ignoring the everyday passions, heartbreaks, and courage of mortal men and women. Using both her own name and anonymous pen names so conservative elders would judge her scripts on merit alone, she began writing groundbreaking human-centric operas that packed Heyu Tea House to the rafters.

Behind her poised public image, however, the troupe's elders and her manager constantly police Yun Jin's diet and social schedule to protect her figure and reputation—forcing the young director to don clever disguises whenever she wants to sneak out to Chihu Rock to buy her favorite sweet Fontainian milk teas or headbang in the crowd at Xinyan's rock 'n' roll gigs.